Also, it was a common thing to do with a multitrack tape machine - record metronome tracks, which you could vary if you wanted to. Why the metronome track? Because it's useful sometimes for people recording live music - and that's the major distinction that you are failing to make in production terms - live versus compositional. When it was first introduced, the concept behind the multitrack view was that of a software multitrack tape recorder, and that is pretty much what it remains. None of these people, who constitute the vast majority of Audition users, need tempo changes. It's also used to a surprising degree by mastering studios. It's also used extensively by people doing restoration work, and to a degree by the scientific community. It isn't just used by radio people (who, if they are doing things like radio drama, use multitrack view extensively), but by TV and film users for things like ADR, and for editing and assembling live music production.
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